How do you get kids to practise?


Helping your kids to enjoy it
by Cora Lee

How do you get kids to practise? As I began this essay, I let my
thoughts wander, stopping them as they lingered on the contents of a
thin, rectangular box stored in the basement. Within lay a small white
recorder, untouched now for 20 years or more. Just thinking about that
simple instrument brought me back to a time of ukulele and guitar,
recorder band and choir--elementary school activities that were the only
instruction in music I ever had. It was fun, I remember, and somehow
easy to do well. I truly enjoyed practising, taking home the music from
school and playing, without coercion, the pieces at home. I even wanted
(but never got) piano lessons, a revelation that now, as then, appalled
many of my contemporaries. They got the coveted lessons, but oh, how
they hated them: the lessons, the theory, the recitals and, most of all, the
practising. No television, they were admonished, until they had put in
their daily half-hour of practice. For them, practising was the chore to
end all chores.

So what was it that separated me from my peers? I haven't the conceit
to suggest it was some never-realized genius that made practising such a
passion. Could it be simply that I didn't have to do it? That, I think, is
the essence of the enigma. The problem with practising can be summed
up in three words: it's a chore. And, nobody enjoys a chore, especially
one mandated by parents hell-bent on giving their kids some culture and
desperate to recoup the fortune spent on lessons and instruments. To
that end, they apply all the strategies at their disposal. They lecture and
they nag, employing guilt trips, bribes and threats. In return, the children
put forth an equally determined and opposing effort. To get out of
practising, they wheedle, they whine, they bargain. And, when all else
fails, they procrastinate. For one little girl I know, the performance
begins long before she even sits down at her piano to play. This six-
year-old girl prepares at length, adjusting her environment so that the
conditions are just right. She likes to have her music placed just so, the
light angled just right, et cetera, et cetera. To others, it may look like
she's avoiding the task, but to her--I'm sure--she's just paving the way
for a more productive practice session.

Well, with every session a battle, I'm not surprised that so many people
dreaded practising. Strangely enough, these very people who, as
children, shuddered at the prospect of practising astonish their adult
selves by wanting to give their own children lessons. Asked why, they
say that while practising was indeed agony for them, playing was
actually a joy. They remember feeling good about mastering a complex
piece, and having others affirm that satisfaction with attentive listening
and honest praise. They wish now that they could recapture the
excitement of pinning down the essence of a composition, and want to
give their children the same experience--without the pain of enforced
practising, of course. And by looking at what motivated their children,
they succeeded in finding ways to make the process more fun. This idea
may draw ridicule from those hardened by years of torturous sessions,
but to me, it makes perfect sense. The secret is simple: just make
practising an instrument more like playing it.

GETTING THE PRACTICE DOWN PAT
Advice from parents whose kids are positive about practising:

Capitalize on what your kids like.
o Kids like sounding good. If your children are having trouble with a
difficult piece of music, finish the practice session with a piece they play
well--it'll leave them with a sense of accomplishment and ease their
frustration.

o Reward both effort and achievement. Don't bribe, but give praise and
encouragement. You can motivate younger kids with stickers or gold
stars.

o Turn practising into a game. Play a piece badly, for example, and let
the kids correct you. Check the library or bookstore for books that
suggest other games you can play.

o Use music software to help develop the interest of kids who would
rather play with the computer.

Also think about what they don't like.
o Some children find practising too solitary an activity. Listen to music
at home, go to concerts, even practise instruments as a family. At the
very least, show interest by sitting with your children and listening as
they practise.

o Avoid punishing children who can't settle down to practise. Try not to
give into your impulse to nag or lecture.

o Avoid criticism. Negative comments can discourage children who
become afraid of making further mistakes.

o Determine if the exercise is too hard. Start each session with an easy
piece to build confidence before easing them into the more difficult
ones.